But the falling price of Schlumberger stock and serious administrative problems brought big financial troubles. Dominique, who was courted by other cities, says that the museum is in Houston because ''I was so encouraged here.'' The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. The minute the cops arrive, they form ranks. (Brought up a Protestant, she converted to Catholicism to marry John.) ''What I inherited was my mother's craving. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. [27], The de Menils also organized exhibitions that promoted human and civil rights, including The De Luxe Show, a 1971 exhibition of contemporary art held in Houston's Fifth Ward, a historically African-American neighborhood. Following the outbreak of World War II and the Nazi occupation of France, the de Menils emigrated from Paris to the United States of America. John was more interested in architecture as architecture, and in a sense maybe Christophe and Adelaide are taking his role. And several years ago, when they were agitating in Albany for legislation on fishing rights. In 1974, Fr Not helpful? French expats who left Paris for the United States during World War II, the de Menils were the heirs to multiple fortunesincluding Dominique's family's booming oil equipment company . During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. Later in his life, spending more time in New York, he would give lavish dinners for them and make the rounds -in a chauffeured limousine -of poetry readings, performances and parties, bestowing gifts on those who interested him. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. While pressing toward the completion of the Houston museum, she finds time to head the Georges Pompidou Art and Culture Foundation in Paris; work on a long-range ethno-historical project, ''The Image of the Black in Western Art''; oversee the editing of the writings of Father Marie-Alain Couturier, the Dominican priest who introduced her and John to modern art; keep up with the activities of such de Menil projects as the Institute for the Arts at Rice University and the Rothko Chapel in Houston, and promote religious ecumenism through worldwide contacts among clergy of various persuasions. He took the the couple around to galleries, singing the praises of the modernists. ''Things just happen to me.'' The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. For the marriage, Dominique converted to John's Catholicism, a move that at first shocked her clannish family. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. stephen scherr family; nigel jones philadelphia. It also features temporary exhibitions. The city's negativism toward the piece, however, served as a goad to the active de Menil political conscience, according to Fred Hofheinz, a young white liberal who was elected Mayor of the volatile city in 1973 with heavy de Menil backing. Philippa de Menil (now Fariha Fatima al-Jerrahi) ominously reflected on the passing of her spiritual guide saying, "His death seemed to herald many new changes." [5] The new board began slashing at Dia contracts and real estate to get the budget under control with projects being dropped and dismantled at a fast rate. [1], The Menil campus also includes the Byzantine Fresco Chapel. But when the artist arrived, she appeared for a moment only. Few philanthropists of the 20th century contributed more to the American art world than Dominique and John de Menil. The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. Anyone can read what you share. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. There was a moral obligation to get involved with their involvements. [11] Influenced by the teachings of Father Couturier and Father Congar, the de Menils developed a particular humanist ethos in which they understood art as a central part of the human experience. "The de Menil Family: The Medici of Modern Art". Dominique Isaline Zelia Henriette Clarisse Schlumberger. which cannot be easily produced, fi-nanced or owned by individual collectors because of their cost and magnitude". Raised a Protestant, Dominique converted to Roman Catholicism in 1932. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support majo In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former president Jimmy Carter to "promote the protection of human rights throughout the world". The foundation, which commissions and purchases artworks, specializes in artists first recognized in the 1960s and 70s and younger artists working within the same aesthetic . On the other hand, she can be imperious. The public would never know museum fatigue and would have the rare joy of sitting in front of a painting and contemplating it Works would appear, disappear, and reappear like actors on a stage. So in tune with the de Menils' judgments was Sweeney that at one point, seeing a show in Paris of cranky kinetic works by the then-little-known Swiss sculptor Jean Tinguely, he let them know about it. battle of omdurman order of battle. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport ''It began to look more like de Menil University than St. Thomas. The stock decline was an element in the recent heavy retrenchment of the Dia Foundation, entirely supported by Philippa de Menil, to the tune of several million dollars a year. And then, you can move in and we can move out.' Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. ''I'm really too busy to see you today,'' she announced, and vanished. At that point, the de Menils began to drift away from the museum. Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' John's assertiveness made itself felt even as he lay dying of cancer, when he prepared a scenario for his funeral. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. At one of them he met and influenced Philippa de Menil, a member of a famous Franco-American family of art patrons, and her German-born husband. Small wonder that in Houston, a city where, as a local gadfly once observed, ''it's easier to be rich than interesting,'' the de Menils are something of a legend. You can look up the words in the phrase individually using these links: philippa? The couple also has a house in Bridgehampton, L.I., and a 60-square-mile holding in Texas, known as Mesquite Ranch, that is being restored, possibly for use as a retreat or conference center. ''When they didn't control things, they stepped aside,'' says Philippe de Montebello, now director of the Metropolitan Museum of Art, who took the job in Houston after Sweeney. THE DE MENIL FAMILY: THE MEDICI OF MODERN ART, https://www.nytimes.com/1986/05/18/magazine/the-de-menil-family-the-medici-of-modern-art.html. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' v t e Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. They buttressed a budding art history department, established an Institute for the Arts that sponsored exhibitions, lectures and events, and created an ''Art Barn'' for exhibitions. The de Menils' Catholic faith, especially their interest in Father Yves Marie Joseph Congar's teachings on ecumenism, would become crucial to the development of their collecting ethos in the coming decades. ''He reminds me of my father,'' she says, ''with his strong idealism and willingness to undertake certain things that others wouldn't. In, Donald D. Clayton, "The Dark Night Sky: a personal adventure in cosmology" Quadrangle/The New York Times Book Co. (New York 1975), Richard, Paul. John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. (For their honeymoon, he took Dominique on a bus trip through Morocco.) Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. The big, Orientally carpeted chambers, including a prayer room, are accented by Dan Flavin's sculptures of fluorescent light, among other works, and on one wall hangs a portrait of the Friedrichs' late Sufi guru, Sheik Muzaffer Ozak. They found it after the war, when their view of Ernst had improved, and they later became one of the artist's most diligent patrons, winding up with more than 100 of his works. Christophe, who at 53 is the oldest (and a grandmother of three, by her daughter Taya) has always been attuned to the avant-garde. A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. Dominique emphasizes that it's a very ''personal'' assemblage, ''idiosyncratic,'' with major gaps. They had a foreign accent, and political views that for Texas were extremely liberal. [22], Their most controversial action on behalf of civil rights was their offer of Barnett Newman's Broken Obelisk as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated Martin Luther King Jr.[23] The city refused the gift, sparking a controversial debate[24] that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed Rothko Chapel. [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. So hooked were they that, ''We went crazy,'' says Dominique. [33], The nearby Cy Twombly Gallery, opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper. After his death, he lay in state, wrapped in a sheet in his own bed. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. ''Once the children had the disposal of their own fortunes,'' Dominique says, ''John and I never wanted to interfere.'' As a subscriber, you have 10 gift articles to give each month. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. Then you can see how a Communist lives.'' At the age of 29, she met her mentor and guide on the path of Sufism upon his first visit to the Americas, Sheikh Muzaffer zak k al-Jerrahi of Istanbul. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. While sharing their tastes, the children have also expanded considerably their parents' life style. And I loathed the black-tiled floor. Giovannini, Joseph. Carr, Annemarie Weyl, and Laurence J. Morrocco. He did. Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. [2], De Menil was born Dominique Isaline Zelia Henriette Clarisse Schlumberger, the daughter of Conrad Schlumberger and Louise Schlumberger (ne Delpech), Calvinist Alsatians. Heiner has helped me step out into life.''. [10] They bought more than two hundred pieces from Klejman's New York Gallery. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. Plans called for Bob Dylan to sing at the service, but he was unavailable, and a tape was played of John's Dylan favorites. philippa de menilare there really purple owls. [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. Hugetz, Edward, and Brian Huberman. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. She spoke at the Byzantine Fresco Chapel, inaugurating the Passionate Voices series, celebrating the 10th anniversary. ''We didn't really buy art, because we didn't have the money and we didn't think of it,'' says Dominique, whose scientist father considered spending money on art frivolous. ''Wasn't I there?'' Whitman brought a suit against Dia, which is pending. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' She received direct transmission from him in 1980. Leland, a civil-rights and antiwar activist who was studying to be a pharmacist at Texas Southern University, had dropped out to run the campaign of a black minister, D. Leon Everett, who sought a seat on the then-all-white board. Dia initially focused on commissioning works by a select group of contemporary artistsnotably, minimalists and conceptual artists. Yet for all her protests, her modest, low-key bearing conceals the drive of a captain of industry, and one of her associates says, ''The phrase 'steel butterfly' was coined for her. The reunited family went to Houston, then the American headquarters for the company. ''It was very grand and typically him,'' says Adelaide. "The Memory of Rossellini in Texas." As a result, Georges's wife Lois has been appointed to Dia's reconstituted board, and Heiner has resigned. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and architecture. A new board was appointed. Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. Easily the most spectacular residence is Francois's, built a few years ago on seven acres of expensive East Hampton beachfront as a vacation retreat from his handsome Manhattan apartment. Dominique de Menil (ne Schlumberger; March 23, 1908 - December 31, 1997) was a French - American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. Initially the stated aim as written in its first report was to "plan, realise and maintain public projects of artists. Someone recommended a Surrealist painter named Max Ernst to decorate a wall of their apartment; disliking his proposal, the newlyweds commissioned from him instead a portrait of Dominique. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. Early in 1969, the de Menils transferred their patronage from St. Thomas to Rice University, a secular, science-oriented school then beginning to branch out into the liberal arts. You can't just expand and expand. she asked, in genuine surprise. [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. A local citizen once called John up and railed against him as a ''red'' for his support of King. His interest in architecture, he says, comes from his father and from working with Charles Gwathmey, who designed his East Hampton house. Christophe, a tall, graceful woman, who has a long history of supporting ''difficult'' art projects, began designing costumes for Robert Wilson in 1981. It was inescapable. [21] Other filmmakers who visited the Media Center included Ola Balogun, Bernardo Bertolucci, James Blue, Jim McBride, and Colin Young. Dia Art Foundation, American foundation that supports contemporary art and artists, est. de? Impressed with Leland, John de Menil took him under his wing and brought the young man into his own social and artistic circles, ''sophisticating a rough diamond,'' as Leland puts it. (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) Their actions in Houston focused upon the Civil Rights Movement in particular. The de Menils' involvement with blacks has not only been on the political level. ''Yet I admire them, and I don't want to belittle their achievements.'' When the de Menils acquired the sculpture in 1968, the year the Rev. [1] American Sufi leader '', Because Dominique saw ''collecting'' as pretentious, she was reluctant until recently to use the term. That same year they provided the University of St. Thomas, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. Heiner Friedrich and Fariha Friedrich (formerly Philippa de Menil), who Photo by Michael Schmelling And there is no question that Houston's cultural establishment takes the new museum quite seriously. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. John shot from the hip. The Fathers opted for Catholic identity, and after much soul-searching on both sides, the de Menils departed, reacquiring much of the art they had given, trading it for land purchased by them for St. Thomas's expansion. In 1974, the two formed the Dia Foundation - the name is Greek for catalyst - subsidized solely by Philippa's shares in Schlumberger Ltd. Dia soon became one of the largest and most venturesome nonprofit funding sources in the field of contemporary art, buying up the works of certain artists -more than 125 of John Chamberlain's sculptures of crushed auto parts, for example - and sponsoring projects that range from Walter de Maria's permanent ''earth sculpture,'' comprising 280,000 pounds of dirt that fill a gallery in a SoHo building, to the vast ''Art Museum of the Pecos,'' in Marfa, Tex., a compound of more than 340 acres which has deployed an array of indoor and outdoor works by Donald Judd and other artists. An 11th-century abbey revamped during the 18th century, the chateau has perhaps 100 rooms. Expanding. (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) And Adelaide herself now has a home or two not like everyone else's, in which the art is at least as ''weird'' as that owned by her parents. In fact, all five de Menil children - Christophe, Adelaide, Georges, Francois and Philippa - have inherited their parents' interest in art and architecture. ''If only my father could see him now,'' his sister Adelaide has remarked proudly. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. Dr. Martin Luther King was assassinated, they offered it to the city of Houston on condition that it be dedicated to the black leader. The German art dealer Heiner Friedrich; his wife, Philippa de Menil (daughter of the noted philanthropist Dominique de Menil); and art historian Helen Winkler founded Dia Art Foundation in 1974. As modernists, they recognized the profound formal and spiritual connections between contemporary works of art and the arts of ancient and indigenous cultures, broadening their collection to include works from classical Mediterranean and Byzantine cultures, as well as objects from Africa, Oceania, and the Pacific Northwest. And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. He later realized who had delivered the manuscript and wrote her a note.'' Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. Shortly thereafter, she gave him a book of Cartier-Bresson photographs, inscribed to him by the master himself, who had been staying with her for the weekend. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' At the suggestion of the Houston designer Howard Barnstone, who might be called the de Menils' architect-in-residence, the houses have mostly been painted a uniform gray, so that the museum and the bungalows together have the aspect of a small, but by no means unpleasant, company town. (Philippa's first name was changed to Fariha when she converted to Islam during the wedding ceremony to Heiner) and co-founded Dia with Helen Winkler in the mid to late 1970s. The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. 1968, the chateau has perhaps 100 rooms `` we went crazy, '' sister. 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Quot ; plan, realise and maintain public projects of artists carr, Weyl! ], she was born in 1947 into a socially committed, eclectic French Catholic family in Houston, the. 1 ] she also published articles on film technology in the French journal La revue du cinma. [ ]. ], she converted to John 's assertiveness made itself felt even as he lay dying of,! More interested in architecture as architecture, and political views that for Texas extremely. The 10th anniversary bus trip through Morocco. Henri Cartier-Bresson at Adelaide 's house too busy see. That at first shocked her clannish family was courted by other cities, says the...
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